excerpt from 'Sergey Prokofiev diaries: 3 January 1926' pp. 245 (136 words)

excerpt from 'Sergey Prokofiev diaries: 3 January 1926' pp. 245 (136 words)

part of

Sergey Prokofiev diaries: 3 January 1926

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urn:iso:std:iso:639:ed-3:eng

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245

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text excerpt

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Afterwards we went to Damrosch's concert, but were late and caught only a snatch of Gershwin's Concerto, performed by the composer. Gershwin has made a big name for himself in jazz and is now branching out into serious, or to be precise 'half-breed', music, composing jazz concertos. America has jumped at this, and indeed I do believe that this may be the way forward to a national American music. I must admit that there is much that is attractive in the Concerto; it is inventive and full of energy as far as rhythm is concerned, but the material is thin and that is, after all, the main thing. I was left with the impression that here was not a real composer but a precursor of another, later, composer who using these means would compose real music.

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excerpt from 'Sergey Prokofiev diaries: 3 January 1926' pp. 245 (136 words)

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