Richard Church et al. in Clapham
from The Golden Sovereign, pages 46–47:
With a grimace that drew the muscles of his mouth sharply, as from toothache, Young Harry touched a key to give the tuning note. He played a few chords – and rapture flooded over me as though a caress had surprised me, touching the hair at the back of my head. The velvety tone of the Broadwood was softer, more woody, than that of our Klingmann; but it compensated by coming from an open grand – with that instant contact which is always just lacking in an upright piano.
Richard Church, The Golden Sovereign (London, 1957), p. 46–47. https://led.kmi.open.ac.uk/entity/lexp/1445795345168 accessed: 8 June, 2023
Listening tohide composers
|Tuning up prior to playing a piano trio||performed by 'Young Harry' Bridge|
|Listening Environment||in the company of others, in private, indoors|
Tuning up prior to the performance of Schubert's Piano Trio No. 1 described in Listening Experience no. 1445795228144.