excerpt from 'Thirty Years of Musical Life in London, 1870-1900' pp. 217-8 (164 words)
excerpt from 'Thirty Years of Musical Life in London, 1870-1900' pp. 217-8 (164 words)
| part of | |
|---|---|
| original language | |
| in pages | 217-8 |
| type | |
| encoded value |
Our first business was to find Signor Mancinelli. He lived in a house overlooking some public gardens not far from the royal palace, and on the way thither Harris confided to me for the first time that he was not quite sure whether he ought to have engaged the man we were then going to see, or his brother, Marino Mancinelli, who was the conductor at the Lisbon Opera-house, and, according to some people, the more gifted of the two. On this point I was happily able to reassure my friend. I had not seen both brothers ; but, when at Bologna in 1879, I had seen Luigi Mancinelli direct at the Teatro Comunale a remarkably fine performance of Gounod's “Faust" (with a Covent Garden soprano. Mlle. Turolla, as Margherita), and I had considered him a chef-d^orchestre of the first order. Harris was able quickly to confirm this opinion for himself by means of a representation of the selfsame work at the Royal Opera-house.
Our first business was to find Signor Mancinelli. He lived in a house overlooking some public gardens not far from the royal palace, and on the way thither Harris confided to me for the first time that he was not quite sure whether he ought to have engaged the man we were then going to see, or his brother, Marino Mancinelli, who was the conductor at the Lisbon Opera-house, and, according to some people, the more gifted of the two. On this point I was happily able to reassure my friend. I had not seen both brothers ; but, when at Bologna in 1879, I had seen Luigi Mancinelli direct at the Teatro Comunale a remarkably fine performance of Gounod's “Faust" (with a Covent Garden soprano. Mlle. Turolla, as Margherita), and I had considered him a chef-d^orchestre of the first order. Harris was able quickly to confirm this opinion for himself by means of a representation of the selfsame work at the Royal Opera-house. |
| appears in search results as | excerpt from 'Thirty Years of Musical Life in London, 1870-1900' pp. 217-8 (164 words) |
| reported in source | |
|---|---|
| documented in |