Thirty Years of Musical Life in London, 1870-1900

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420-1

text excerpt

It was the first time I ever saw the Metropolitan Opera House, and I was much struck with its handsome proportions. Then again, under Anton Seidl 's magic wand, the performance touched at all points a very high level of excellence. Finally, I derived immense pleasure from the novel sensation of hearing Jean and Edouard de Reszke as exponents of Wagner's own text. Their conscientious enunciation of each syllable, their accurate diction, and their admirable accent seemed to impart an added dignity alike to the music and to their impersonations. Even the more cultivated listener might easily have imagined them to be native German singers. Mme. Nordica, too, handled the German words with remarkable facility and confidence. Altogether, it was a most meritorious achievement.

It was the first time I ever saw the Metropolitan Opera House, and I was much struck with its handsome proportions. Then again, under Anton Seidl 's magic wand, the performance touched at all points a very high level of excellence. Finally, I derived immense pleasure from the novel sensation of hearing Jean and Edouard de Reszke as exponents of Wagner's own text. Their conscientious enunciation of each syllable, their accurate diction, and their admirable accent seemed to impart an added dignity alike to the music and to their impersonations. Even the more cultivated listener might easily have imagined them to be native German singers. Mme. Nordica, too, handled the German words with remarkable facility and confidence. Altogether, it was a most meritorious achievement.

excerpt from 'Thirty Years of Musical Life in London, 1870-1900' pp. 420-1 (124 words)

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