excerpt from 'Thirty Years of Musical Life in London, 1870-1900' pp. 221-2 (79 words)

excerpt from 'Thirty Years of Musical Life in London, 1870-1900' pp. 221-2 (79 words)

part of

Thirty Years of Musical Life in London, 1870-1900

original language

urn:iso:std:iso:639:ed-3:eng

in pages

221-2

type

text excerpt

encoded value

Enough to say that the troupe finally collected by Augustus Harris was the strongest heard in London for several years. The opening representation of “Aida" on June 13, with brand-new costumes and fresh scenery expressly imported from Italy, fairly took critics and opera-goers by surprise. The triumph of Jean de Eeszke was instantaneous and complete. Here, at last, was the great tenor for whom the world had been waiting since the death of Giuglini and the retirement of Mario !

Enough to say that the troupe finally collected by Augustus Harris was the strongest heard in London for several years. The opening representation of “Aida" on June 13, with brand-new costumes and fresh scenery expressly imported from Italy, fairly took critics and opera-goers by surprise. The triumph of Jean de Eeszke was instantaneous and complete. Here, at last, was the great tenor for whom the world had been waiting since the death of Giuglini and the retirement of Mario !

appears in search results as

excerpt from 'Thirty Years of Musical Life in London, 1870-1900' pp. 221-2 (79 words)

1438423663362:

reported in source

1438423663362

documented in
Page data computed in 344 ms with 1,863,952 bytes allocated and 35 SPARQL queries executed.