excerpt from 'The Great Jazz Pianists: Speaking of Their Lives and Music' pp. 64 (61 words)
excerpt from 'The Great Jazz Pianists: Speaking of Their Lives and Music' pp. 64 (61 words)
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[Asked about melodic ear-training, Wilson replied] I depended a great deal on two pianos. We'd take turns accompanying each other. I'd play accompaniment and the student would play strictly melody. I got wonderful results with this method. I'd also play recordings of Benny Goodman, Louis Armstrong, [saxophonist] Coleman Hawkins—all one-line players—and the student would start by imitation. |
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