excerpt from 'Letters of composers : an anthology, 1603-1945 / compiled and edited by Gertrude Norman and Miriam Lubell Shrifte.' pp. 260 (94 words)

excerpt from 'Letters of composers : an anthology, 1603-1945 / compiled and edited by Gertrude Norman and Miriam Lubell Shrifte.' pp. 260 (94 words)

part of

Letters of composers : an anthology, 1603-1945 / compiled and edited by Gertrude Norman and Miriam Lubell Shrifte.

original language

urn:iso:std:iso:639:ed-3:eng

in pages

260

type

text excerpt

encoded value

In his chamber music Mozart fascinates me by his purity and distinction of style and his exquisite handling of the parts. Here, too, there are things that bring tears to our eyes. I shall mention only the adagio of the G-minor String Quintet. No one else has ever known how to interpret so beautifully and exquisitely in music the feeling of resignation and inconsolable sorrow. Every time Laub played the adagio I had to hide in the farthest corner of the concert-room so that others would not see how much this music affected me.

appears in search results as

excerpt from 'Letters of composers : an anthology, 1603-1945 / compiled and edited by Gertrude Norman and Miriam Lubell Shrifte.' pp. 260 (94 words)

1424696916509:

reported in source

1424696916509

documented in
Page data computed in 355 ms with 1,633,568 bytes allocated and 35 SPARQL queries executed.