excerpt from 'Letters of composers : an anthology, 1603-1945 / compiled and edited by Gertrude Norman and Miriam Lubell Shrifte.' pp. 301,302 (145 words)
excerpt from 'Letters of composers : an anthology, 1603-1945 / compiled and edited by Gertrude Norman and Miriam Lubell Shrifte.' pp. 301,302 (145 words)
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There I found two tickets for parquet seats in the first row for Salome and I took Berliner along. The performance was excellent in very respect – orchestrally, vocally, and scenically it was pure Kitsch and Stoll [Mahler’s stage managers at the Vienna Opera], and again it made an extraordinary impression on me. It is an extremely clever, very powerful piece, which certainly belongs among the most significant of our time! Beneath a heap of rubbish an infernal fire lives and burns in it - not just fireworks. / That’s the way it is with Strauss’s whole personality and it’s difficult to separate the wheat from the chaff. But I had felt tremendous respect for the whole manifestation and this was confirmed again. Destinn was magnificent; the Jochanaan (Berger) very fine. The others, so-so. The orchestra, really superb. |
| appears in search results as | excerpt from 'Letters of composers : an anthology, 1603-1945 / compiled and edited by Gertrude Norman and Miriam Lubell Shrifte.' pp. 301,302 (145 words) |
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