excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 40-1 (55 words)

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 40-1 (55 words)

part of

Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.

original language

urn:iso:std:iso:639:ed-3:eng

in pages

40-1

type

text excerpt

encoded value

During Lent, when none but sacred dramas were allowed, the oratorio of Jephthah was acted at the Theatre del Fondo, and the principal parts well sustained by Benini, Mengozzi, and Rovedino, the music very good, but I forget the composer. Benini sung sweetly a most beautiful pathetic air as she was going to be sacrificed.

During Lent, when none but sacred dramas were allowed, the oratorio of Jephthah was acted at the Theatre del Fondo, and the principal parts well sustained by Benini, Mengozzi, and Rovedino, the music very good, but I forget the composer. Benini sung sweetly a most beautiful pathetic air as she was going to be sacrificed.

appears in search results as

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 40-1 (55 words)

1446053757053:

reported in source

1446053757053

documented in
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