excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 266 (65 words)

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 266 (65 words)

part of

Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.

original language

urn:iso:std:iso:639:ed-3:eng

in pages

266

type

text excerpt

encoded value

 

 

[Pieces by Beethoven, Haydn and Handel] were followed by a piece of a very different character, simple, and solemn in the highest degree. This was Luther’s Hymn, most incomparably sung by Braham. The organ accompaniment, and the chorus performed sotto voce, produced an effect most devotional and affecting. […] Throughout the whole performance, nothing gave me greater pleasure than this natural unpretending air.

appears in search results as

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 266 (65 words)

1448973925350:

reported in source

1448973925350

documented in
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