excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 137-8 (98 words)

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 137-8 (98 words)

part of

Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.

original language

urn:iso:std:iso:639:ed-3:eng

in pages

137-8

type

text excerpt

encoded value

Fodor was succeeded by Belloc, who, though a good singer and actress in comic operas, was not pleasing from the coarseness of her voice and plainness of her person. She was rather like Storace, possessing most of her defects without all her excellencies. She however surprised the public towards the close of her engagement by her excellent performance of the part of Tancredi, for which nothing could be less suited than her figure; but the music was well adapted to her voice, and her singing it was really so good as to make her appearance of no consequence.

appears in search results as

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 137-8 (98 words)

1446811471283:

reported in source

1446811471283

documented in
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