excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 80-1 (105 words)

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 80-1 (105 words)

part of

Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.

original language

urn:iso:std:iso:639:ed-3:eng

in pages

80-1

type

text excerpt

encoded value

Her [Banti’s] first appearance in this country was in the opera of Semiramide, or La Vendetta di Nino, by Bianchi, and all her part in it was of the most beautiful description. In addition to the songs belonging to the opera, she introduced a remarkably fine air by Guglielmi, from the oratorio of Debora […]This song, though long and one of great exertion, was so great a favourite that it never failed of being encored, not only in its novelty, but in every subsequent revival. Her acting and recitative were excellent, and in the last scene, where Semiramide dies, was incomparably fine.

appears in search results as

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 80-1 (105 words)

1446648733643:

reported in source

1446648733643

documented in
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