excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 12-3 (75 words)

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 12-3 (75 words)

part of

Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.

original language

urn:iso:std:iso:639:ed-3:eng

in pages

12-3

type

text excerpt

encoded value

Pacchierotti’s voice was an extensive soprano, full and sweet in the highest degree; his powers of execution were great, but he had far too good taste and too good sense to make a display of them where it would have been misapplied, confining it to one bravura song (aria di agilità) in each opera, conscious that the chief delight of singing, and his own supreme excellence, lay in touching expression, and exquisite pathos.

appears in search results as

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 12-3 (75 words)

1445955591123:

reported in source

1445955591123

documented in
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