excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 42-43 (96 words)

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 42-43 (96 words)

part of

Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.

original language

urn:iso:std:iso:639:ed-3:eng

in pages

42-43

type

text excerpt

encoded value

The first woman was Pozzi, of whom, at parting I must observe, that although she had deservedly risen to the head of her profession, was a good singer, and had a voice of uncommon clearness and brilliancy, yet its tones were so bird-like, and there was such a want of feeling in her manner both of singing and acting, that she was on the whole a cold and uninteresting performer. The tenor was Scovelli, the second man Manzoletto... The opera was Arminio, by Tarchi, composed expressly for Marchesi, with whose performance I was very much pleased. 

appears in search results as

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 42-43 (96 words)

1446634843469:

reported in source

1446634843469

documented in
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