excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 16 (60 words)

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 16 (60 words)

part of

Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.

original language

urn:iso:std:iso:639:ed-3:eng

in pages

16

type

text excerpt

encoded value

The first woman, who made also her first appearance in this opera [Demofoonte], was Bernasconi, a good musician, and correct skilful singer; but her voice was not powerful, and she was past her prime: she was a good actress, with but an indifferent figure. The tenor, a German, named Ademberger, had a disagreeable nasal voice, but sung with considerable science.

appears in search results as

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 16 (60 words)

1445956412843:

reported in source

1445956412843

documented in
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