excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 276 (60 words)

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 276 (60 words)

part of

Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.

original language

urn:iso:std:iso:639:ed-3:eng

in pages

276

type

text excerpt

encoded value

The air in itself was nothing, and sung by Ivanhoff without the least effect. The remainder of this part was a selection from Beethoven’s Oratorio, the Mount of Olives, in English, parts of which were very beautiful. It consisted of a recitative and air, by Caradori, with a chorus. It need not be said she sung it well.

appears in search results as

excerpt from 'Musical Reminiscences: Containing an Account of Italian Opera in England, From 1773. The Fourth Edition, Continued to the Present Time, and Including The Festival in Westminster Abbey.' pp. 276 (60 words)

1448988789823:

reported in source

1448988789823

documented in
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