excerpt from 'My Musical Life' pp. 490-1 (191 words)

excerpt from 'My Musical Life' pp. 490-1 (191 words)

part of

My Musical Life

original language

urn:iso:std:iso:639:ed-3:eng

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490-1

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text excerpt

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The long shadows were stealing over the hills when I came out at the second pause. Those whom I met and conversed with were subdued and awed. What a solemn tragedy of human passion we had been assisting at ! Not a heart there but could interpret that struggle between the flesh and the spirit from its own experiences. Not one but knew the desperately wicked and deceitful temptations that come like enchantresses in the wizard's garden, to plead the cause of the devil in the language of high-flown sentiment or even religious feeling. Praise and criticism seemed dumb; we rather walked and spoke of what we had just witnessed like men convinced of judgment, and righteousness, and sin. It was a strange mood in which to come out of a theatre after witnessing what would commonly be called an " Opera." I felt more than ever the impossibility of producing the Parsifal in London, at Drury Lane or Covent Garden, before a well-dressed company of loungers, who had well dined, and were on their way to balls and suppers afterwards.

I would as soon see the Oberammergau play at a music hall.

The long shadows were stealing over the hills when I came out at the second pause. Those whom I met and conversed with were subdued and awed. What a solemn tragedy of human passion we had been assisting at ! Not a heart there but could interpret that struggle between the flesh and the spirit from its own experiences. Not one but knew the desperately wicked and deceitful temptations that come like enchantresses in the wizard's garden, to plead the cause of the devil in the language of high-flown sentiment or even religious feeling. Praise and criticism seemed dumb; we rather walked and spoke of what we had just witnessed like men convinced of judgment, and righteousness, and sin. It was a strange mood in which to come out of a theatre after witnessing what would commonly be called an " Opera." I felt more than ever the impossibility of producing the Parsifal in London, at Drury Lane or Covent Garden, before a well-dressed company of loungers, who had well dined, and were on their way to balls and suppers afterwards.

I would as soon see the Oberammergau play at a music hall.

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excerpt from 'My Musical Life' pp. 490-1 (191 words)

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