excerpt from 'Dmitry Shostakovich-About Himself and His Times' pp. 256-257 (106 words)
excerpt from 'Dmitry Shostakovich-About Himself and His Times' pp. 256-257 (106 words)
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Or take Fiorenza Cossotto. When she sang Santuzza’s aria in Mascagni’s Cavalleria Rusticana (an opera, by the way, which I have never liked), everything became clear: she told of Santuzza’s sufferings only through her singing, standing almost motionless in a simple dress on the stage of the Grand Hall of the Conservatoire. /I hope I will not be suspected of underestimating the work of the producer, the artist, and, of course, the conductor. We are all aware of the difficulties of their work – difficulties that are all the greater, the more prominence is given to the element of singing.
Or take Fiorenza Cossotto. When she sang Santuzza’s aria in Mascagni’s Cavalleria Rusticana (an opera, by the way, which I have never liked), everything became clear: she told of Santuzza’s sufferings only through her singing, standing almost motionless in a simple dress on the stage of the Grand Hall of the Conservatoire. /I hope I will not be suspected of underestimating the work of the producer, the artist, and, of course, the conductor. We are all aware of the difficulties of their work – difficulties that are all the greater, the more prominence is given to the element of singing. |
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