excerpt from 'Memories and Commentaries' pp. 173 (36 words)
excerpt from 'Memories and Commentaries' pp. 173 (36 words)
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I remember playing a quarter-note piano four-hands with him [Paul Hindemith] in the Berlin Hochschule in the 1920s, and how quickly our ears became accustomed to it. But a quarter-tone is a considerable differentiation, after all.
I remember playing a quarter-note piano four-hands with him [Paul Hindemith] in the Berlin Hochschule in the 1920s, and how quickly our ears became accustomed to it. But a quarter-tone is a considerable differentiation, after all. |
| appears in search results as | excerpt from 'Memories and Commentaries' pp. 173 (36 words) |
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