excerpt from 'Testimony- The memoirs of Shostakovich, as related to & edited by Solomon Volkov' pp. 23 (95 words)
excerpt from 'Testimony- The memoirs of Shostakovich, as related to & edited by Solomon Volkov' pp. 23 (95 words)
part of | Testimony- The memoirs of Shostakovich, as related to & edited by Solomon Volkov |
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in pages | 23 |
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Stravinsky gave me a lot. It was interesting to listen to him and it was interesting to look at the scores. I liked Mavra, I remember, and L’Histoire du Soldat, particularly the first part; it’s too boring to listen to the work in its entirety. It’s fashionable now to speak disparagingly of Stravinsky’s opera, The Rake’s Progress, and that’s a shame. The work is deeper than a first glance would lead you to believe. But we’ve become lazy and lack curiosity. |
appears in search results as | excerpt from 'Testimony- The memoirs of Shostakovich, as related to & edited by Solomon Volkov' pp. 23 (95 words) |
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