excerpt from 'Hear Me Talkin' To Ya: The Classic Story of Jazz as Told by the Men Who Made It' pp. 363-364 (91 words)

excerpt from 'Hear Me Talkin' To Ya: The Classic Story of Jazz as Told by the Men Who Made It' pp. 363-364 (91 words)

part of

Hear Me Talkin' To Ya: The Classic Story of Jazz as Told by the Men Who Made It

original language

urn:iso:std:iso:639:ed-3:eng

in pages

363-364

type

text excerpt

encoded value

Sid [Catless] was also the first drummer I'd heard who would play regular choruses--like thirty-two or sixty-four bars, et cetera-- the way a piano or horn might. He thought very musically. And if he had two blues choruses, he would take just twenty-four bars, and if you didn't come in on the twenty-fifth beat, he'd say, "What?" [… H]e was a really advanced drummer in his concern with a melodic approach to drums. Even today, most drummers have a rhythmic approach with no attention to the melodic potentialities of percussion.

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excerpt from 'Hear Me Talkin' To Ya: The Classic Story of Jazz as Told by the Men Who Made It' pp. 363-364 (91 words)

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