I once saw the last act in all its integrity and with six harps accompanying the famous trio. We shall never see the six harps again, for Garnier, instead of reproducing exactly the placing of the orchestra in the old Opera, managed so well in the new one that they are unable to put in the six harps of old or the four drums with which Meyerbeer got such surprising effects in Robert and Le Prophete. I believe, however, that recent improvements have averted this disaster in a certain measure, and that there is now a place for the drums. But we shall never hear the six harps again.