Henry Croswell et al. in Christ Church, Lancaster Gate, Paddington, London - 4 May, 1884, 07:00 PM
from Transcript of the diaries of Henry Croswell, page 388:
Got there 6.50
O[rgan]. – Large, just opened, fine. Organist, Gladstone, Mus D. 1881.
H[ymns]. – A & M., nice ordinary selection.
C[hoir]. – Large, surpliced, fine voices. We sat in side East Gallery.
[The congregation numbered] 1400 […]
S[ermon]. – Didn't stop
M[iscellaneous]. – A wondrous sight; what won't fashion do. Crowded all but quite at bottom and in end galleries; seats all in aisles all down.
Henry Croswell, Transcript of the diaries of Henry Croswell. In British Library, number 000826807, C.194.c.113 , p. 388. https://led.kmi.open.ac.uk/entity/lexp/1553081472380 accessed: 27 November, 2022 (By permission of the British Library.)
Listening tohide composers
|Anglican church music||performed by the choir and organist of Christ Church Lancaster Gate|
|hymns selected from 'Hymns A&M'||performed by the choir and organist of Christ Church Lancaster Gate|
|Date/Time||4 May, 1884, 07:00 PM|
|Listening Environment||in the company of others, indoors, in public|
Henry Croswell (1840–93) kept a record of his visits to churches in London over a period of more than twelve years (1872–85). He made methodical notes about the number of clergy, the churchmanship, the congregation, the sermon and the church architecture, as well as commenting on the music that he heard (the organ, the hymns and the choir). The above listening experience has been extracted from one of these records. ‘Hymns Ancient and Modern for use in the Services of the Church’ (1861; Appendix, 1868; Second edition, 1875; Supplement, 1889) was envisaged as an anthology of the best hymns available and became the most widely-used hymnbook in the Church of England during the late nineteenth century. William Henry Monk (1823–89) was musical editor.