excerpt from 'Memories and Commentaries' pp. 275 (70 words)

excerpt from 'Memories and Commentaries' pp. 275 (70 words)

part of

Memories and Commentaries

original language

urn:iso:std:iso:639:ed-3:eng

in pages

275

type

text excerpt

encoded value

Mendelssohn’s elegance attracted me early in my career, as my Scherzo fantastique indicates, but my appreciation of Weber started in the 1920s, with a performance of Der Freischütz in Prague conducted by Alexander von Zemlinsky. After that, I acquainted myself with all of Webern’s music, with the result that his sonatas may have exercised a spell over me at the time I composed my Capriccio.

Mendelssohn’s elegance attracted me early in my career, as my Scherzo fantastique indicates, but my appreciation of Weber started in the 1920s, with a performance of Der Freischütz in Prague conducted by Alexander von Zemlinsky. After that, I acquainted myself with all of Webern’s music, with the result that his sonatas may have exercised a spell over me at the time I composed my Capriccio.

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excerpt from 'Memories and Commentaries' pp. 275 (70 words)

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