excerpt from 'Memories and Commentaries' pp. 229 (43 words)
excerpt from 'Memories and Commentaries' pp. 229 (43 words)
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Then, in 1920, I heard Pierrot in Paris, conducted by Darius Milhaud and quasi-sung by Marya Freund. After that, incredibly, I did not hear another note by Schoenberg until the Suite, op. 29, in Venice in 1937 and the Prelude to Genesis in Hollywood in November 1945.
Then, in 1920, I heard Pierrot in Paris, conducted by Darius Milhaud and quasi-sung by Marya Freund. After that, incredibly, I did not hear another note by Schoenberg until the Suite, op. 29, in Venice in 1937 and the Prelude to Genesis in Hollywood in November 1945. |
appears in search results as | excerpt from 'Memories and Commentaries' pp. 229 (43 words) |
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