excerpt from 'Memories and Commentaries' pp. 173 (63 words)

excerpt from 'Memories and Commentaries' pp. 173 (63 words)

part of

Memories and Commentaries

original language

urn:iso:std:iso:639:ed-3:eng

in pages

173

type

text excerpt

encoded value

Since then I have thought about quarter-tones but avoided writing them. After all, we hear unintentional quarter-tones all the time. The beautiful exception, the perfect exploitation of the quarter-tone is in Alban Berg’s Kammerkonzert, where it is perfectly prepared by a phrase in whole tones, a diatonic phrase, and a phrase in chromatics: here the distinctions are clear, convincing and effective. 

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excerpt from 'Memories and Commentaries' pp. 173 (63 words)

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1450355347308

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