It was easy to see that, the poor deaf Maestro of the Piano, could no longer hear his own music. This was particularly remarkable in a passage in the second part of the first allegro of the symphony. At that part there are two pauses in quick succession, the second of which, is pianissimo. This, Beethoven had probably overlooked, for he again began to give the time before the orchestra had executed this second pause. Without knowing it therefore, he was already from ten to twelve bars in advance of the orchestra when it began the pianissimo. Beethoven, to signify this in his own way, had crept completely under the desk. Upon the now ensuing crescendo, he again made his appearance, raised himself continually more and more, and then sprang up high from the ground, when according to his calculation the moment for the forte should begin. As this did not take place, he looked around him in affright, stared with astonishment at the orchestra, that it should still be playing pianissimo, and only recovered himself, when at length the long expected forte began, and was audible to himself. Fortunately this scene did not take place at the public performance, otherwise the audience would certainly have laughed again.