Others also besides me, gave music parties to the visitors to the Congress, among these my friend Zizius particularly distinguished himself. All the foreign artists had been introduced at his house, and at his music parties therefore, there arose frequently a spirit of rivalry between the native and foreign virtuosi. I there for the first time heard Hummel play his beautiful Septett, as well as several other of his compositions of that period. But I was most charmed by his improvisations in which no other Pianoforte-Virtuoso has ever yet approached him. I especially remember with great …
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Others also besides me, gave music parties to the visitors to the Congress, among these my friend Zizius particularly distinguished himself. All the foreign artists had been introduced at his house, and at his music parties therefore, there arose frequently a spirit of rivalry between the native and foreign virtuosi. I there for the first time heard Hummel play his beautiful Septett, as well as several other of his compositions of that period. But I was most charmed by his improvisations in which no other Pianoforte-Virtuoso has ever yet approached him. I especially remember with great pleasure when he improvised in so splendid a manner as I never heard him whether in public or in private. The company were about to break up, when some ladies, who thought it too early, entreated Hummel to play a few more walzes for them. Obliging and galant as he was to the ladies, he seated himself at the piano, and played the wished for walzes, to which the young folks in the adjoining room began to dance. I, and some other artists, attracted by his play, grouped ourselves round the instrument with our hats already in our hands, and listened attentively. Hummel no sooner observed this, than he converted his play into a free phantasia of improvisation, but which constantly preserved the walz-rhythm, so that the dancers were not disturbed. He then took from me and others who had executed compositions their own compositions that evening a few easily combined themes and figures, which he interwove into his walzes and varied them at every recurrence with a constantly increasing richness and piquancy of expression. Indeed, at length, he even made them serve as fugue-themes, and let loose all his science in counterpoint without disturbing the walzers in their pleasures. Then he returned to the galant style, and in conclusion passed into a bravoura, such as from him even has seldom been heard. In this finale, the themes taken up were still constantly heard, so that the whole rounded off and terminated in real artistic style. The hearers were enraptured, and praised the young ladies’ love of dancing, that had conduced to so rich a feast of artistic excellence.
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