Ignatz Moscheles in Dresden - between 1866 and 1870
from Recent Music and Musicians, page 416:
I find more unity in this opera than in Wagner's earlier works for the stage, although the composer's views of the relation between orchestra and singers are here, as everywhere in his music, peculiar - the singers with long declamatory recitatives, and often 'parlando,' have to struggle, as best they can, with overwrought orchestral modulations and effects. I thought I caught some echoes of 'Don Juan,' in that scene where Leporello in a minuet rhythm invites the 'maschere' to the ball.
Ignatz Moscheles, and Charlotte Moscheles (ed.), Recent Music and Musicians (New York, 1879), p. 416. https://led.kmi.open.ac.uk/entity/lexp/1432554740755 accessed: 30 November, 2023
Listening tohide composers
written by Richard Wagner
|Date/Time||between 1866 and 1870|
|Listening Environment||in the company of others, indoors, in public|