In short, expectation was wound up to its highest pitch, when he suddenly arrived, in bad health, and immediately gave a performance at the Opera-House, on March 9th, 1831. The calm and judicious veteran of the Royal Conservatory of Music in Belgium, M. FETIS, who knew him well, and heard him often, and to whose work I am so much indebted for the present sketch, can find no other words to express the sensation which he created on his first appearance at Paris than " universal frenzy." The whole city flocked to hear him, the professors and virtuosi crowded round him on the platform, as near as they dared approach, in order to watch him play, after which they were no wiser than before. At the end of each piece the whole audience, it is said, rose en masse to recall him ; the tongue of envy forgot to wag, and rivalry was put out of court. It was hoped he might have thrown some light upon certain prodigious violin studies which he had published, and which had long been known at Paris. No one could play them, or even conjecture how some of them were to be played; nor did PAGANINI reveal the secret, which lay, no doubt, partly in a peculiar way of tuning the instrument, as well as in a length and agility of finger which he alone possessed.