Emmanuel Chabrier in Spain - at the end of 1882
from Letters of composers : an anthology, 1603-1945 / compiled and edited by Gertrude Norman and Miriam Lubell Shrifte., pages 268,269:
Every night, with Alice [Chabrier's wife] , we make the rounds of the café-concerts where they sing the malaguñas, the soledas, the zapatéados and the peteneras; then the dances, which are positively Arabian, that sums it up. If you could see them wriggling their rear ends, twisting and squirming, I don’t think you’d care to leave. At Málaga the thing got so strong I had to get my wife out of there, it wasn’t even funny.
cite as
Gertrude Norman and Miriam Lubell Shrifte (ed.), Letters of composers : an anthology, 1603-1945 / compiled and edited by Gertrude Norman and Miriam Lubell Shrifte. (New York, 1979), p. 268,269. https://led.kmi.open.ac.uk/entity/lexp/1424697483711 accessed: 22 November, 2024
Listeners
Listening to
hide composersmalaguñas / soledas / zapatéados / peteneras |
Experience Information
Date/Time | at the end of 1882 |
Medium | live |
Listening Environment | in the company of others, indoors, in public |
Notes
Letter from Emmanuel Chabrier to Édouard Moullé, Granada, November 4, 1882.
Originally submitted by verafonte on Mon, 23 Feb 2015 13:18:03 +0000
Approved on Thu, 12 Nov 2015 14:23:19 +0000