Thomas Sanderson et al. in rural Cumbria - between 1800 and 1825
from An Essay on the Character, Manners, and Customs of the Peasantry of Cumberland; and Observations on the Style and Genius of the [poet Robert Anderson], pages xlvi:
Church music generally composes a part of the education of a Cumbrian peasant. They are instructed in it by the parish clerk, or by some itinerant professor; and in the course of a few months, by the means of a good ear, and a tuneable voice, acquire as much skill in it, as to be able to gratify the taste of a country audience, at least as far as an accurate combination of sound extends. As to the principle of the science, they and their instructors are equally ignorant.… more >>
Robert Anderson, An Essay on the Character, Manners, and Customs of the Peasantry of Cumberland; and Observations on the Style and Genius of the [poet Robert Anderson]. In The Poetical Works of Robert Anderson, volume 1 (Carlisle, 1820), p. xlvi. https://led.kmi.open.ac.uk/entity/lexp/1658488350180 accessed: 22 November, 2024
Listeners
Listening to
hide composersfiddle music to accompany dancing | |
church music | performed by a choir of Cumbrian peasant children |
psalm-singing | performed by a choir of Cumbrian peasant schoolchildren |
Experience Information
Date/Time | between 1800 and 1825 |
Medium | live |
Listening Environment | in the company of others, indoors, in public |
Notes
Although Sanderson’s account of music-making and listening given here is not a unique experience, it is obviously based on first-hand observation of local peasant customs. His name has therefore been included as a listener.